Bird books
Nov. 12th, 2007 03:02 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
ferineI've read bits and pieces of these so far and looked at the photographs/illustrations, and they sure strike my fancy. The one I'm currently reading thoroughly is Graeme Gibson's The Bedside Book of Birds: An Avian Miscellany, which is amazing. Here's what Amazon.com's editorial reviews say of it, and I included one of the reader's reviews because it's so spot on:
From Publishers Weekly:
In this intriguing, beautifully illustrated volume, Canadian writer and birder Gibson (Five Legs) employs poems, folk tales, parables, legends, and extracts from the works of naturalists and others to explore humans' relationship with birds through the centuries. Some of the material--Peter Matthiessen's tribute to shorebirds, Edna St. Vincent Millay's poem about wild swans, Thomas Hardy's ode to a darkling thrush--reflect the joy many people feel on seeing or hearing a bird. But a number of the pieces, such as Robinson Jeffers's wrenching poem about a hurt hawk, Gabriel García Márquez's story involving sinister curlews and Kafka's threatening fantasy about a vulture, do not make the best bedtime reading. Numerous selections dwell on the human propensity for killing, exploitation and cruelty, as exemplified by a grisly passage describing the slaughter of a flock of terrified birds from Gibson's novel Perpetual Motion. As if to underscore his grim message, Gibson concludes his miscellany with a list of wildlife organizations to join if one is inclined to help avians in peril. The book contains more than 100 stunning full-color images of birds depicted in bestiaries, folk art, ancient sculpture and the works of artists such as Audubon, Lansdowne and Catesby.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist:
What is it about birds that calls to us? Why do humans engage themselves with birds? In an attempt to understand human response to birds, Gibson began to search for texts and illustrations to help explain this fascination. His book is not, as he states, about birds themselves, but rather about the varied relationships humans have established with them. In an eclectic collection of writings that ranges through hundreds of years and across continents, connected by his own essays, Gibson provided glimpses into the bond humans feel with birds. Authors ranging from Ovid to Saki, from Margaret Atwood to traditional tales of the Bahamas, and from David Quammen to Gabriel Garcia Marquez write of birds--as parables, as natural history, as allegory, and as mythic guides. This is a book to dip into during those spare minutes, and the reader will be well rewarded by these glimpses into avian-human relations. --Nancy Bent
Copyright © American Library Association. All rights reserved.
(5 stars) An artistic and literary tome on birds, January 14, 2006
By karl b. (Fraser Valley, BC, Canada)
This book is a sumptuous, lusciously illustrated homage to birds of all sorts.. common and exotic. It is printed on rich, delicately tintured stock, which frames the splendid artwork that accompanies each contribution. It is composed of poems, meditations, folklore, sagas, journal notes, involving birds, from people who've been inspired.. or irritated by them. The artwork includes famous Audubon watercolours, oils, aboriginal renditions in sculpture or stone paintings, statuary, mobiles and all sorts of depictions.
Gibson is a lifelong birdwatcher and collector of arcane literary and artistic tomes on birds. Birds have always been providential for man, omens of good or evil tidings. Creation stories are replete with birds, they are clarions of peace, of messianic proclamation or of disaster. They include the dove, clasping the olive branch to the raven, the trickster, the wolfbird, harbinger of bad times. They can be objects of veneration, of beauty, of song.. or they can be pest birds, that could ruin a crop, or spread disease in overcrowded cities.
Modern man's relationship with the bird has always been ambiguous. It is shot for sport, roasted for his plate, it is adopted as symbol for nations, it is a muse for writers and artists. They represent characteristics of fierceness, nobility, piety, beauty, purity.. or connivance with dark forces.
Gibson relates the story of the 19th Century Lutheran Pastor in Dresden who called for the extermination of the sparrow for its incessant chattering and scandalous acts of unchastity during service. Or of the adventurer, who having killed what was likely the last of the Dodos, lamented only that he had not saved the beak and skull for posterity. The book is chock full of the mundane, the profound and the mythical.
The book begins (almost) and ends with the birds of the Western Front. Whose singing always re-sounded on the destroyed landscapes of Flanders before and after the mechanistic slaughter of battles that engulfed mankind in the First World War. They gave a faint promise of grace to those in the trenches below. Bird lovers and those whose main preoccupation is the racket outside their window or the droppings in their public places will all find solace in this book.
Then, I finally broke down and picked up In the Company of Crows and Ravens by John M. Marzluff and Tony Angell. This looks wonderful. From Amazon.com editorial reviews:
From Publishers Weekly:
Historically feared, hunted and otherwise maligned, corvids (crows, ravens and the like) have finally found in the coauthors two champions of their cause. Professor Marzluff and artist and writer Angell, in their decades of observing crows and ravens (Angell's illustrations complement the text), have compiled an eye-popping catalogue of crow feats: Japanese carrion crows use moving cars as nutcrackers; Seattle crows, after being trapped by the authors, have learned to avoid them, even in the midst of thousands of UW-students; and, given the choice between french fries in a plain bag or a McDonald's bag, crows choose the branded bag every time. Marzluff and Angell entertain with these stories, but find less success with their arguments that no other animal has been as influential to human culture, and the two species have been for centuries involved in a "cultural coevolution." In essence, shifts in our culture cause crows to adapt, and in response, our culture responds, ad infinitum. They provide a litany of examples of crow influences on human culture (think Counting Crows, cave art and doctors dressed up as crows during the Black Death) and point to the similarities between human and crow cultures (particularly that of social learning) as evidence for the book's unofficial maxim: "to know the crow is to know ourselves." While the claims made here may over-reach, Marzluff and Angell passionately argue crows' importance, and along the way, provide ample evidence of corvid ingenuity.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist:
Crows are one of the few birds that everyone can recognize. As ubiquitous members of the worldwide corvid family (which also includes the ravens, jays, magpies, and their kin), the more than 40 distinct species of crows have formed both practical and mythic relationships with their human neighbors. In this delightful blend of science, art, and anthropology, biologist Marzluff and illustrator Angell, both fascinated by the corvids, demonstrate why the crows and ravens are worthy of study and respect. Crows and ravens are adaptable, intelligent, and able to learn, remember, and use insight to solve problems. They use unique methods to obtain food, such as pulling up the lines of ice fishermen and rolling walnuts under car wheels. Humans have long noted these large, black, brainy birds, and their images have entered human culture (we "eat crow," open things with a "crowbar") and human mythology (the Norse god Odin was guided by two ravens). The text travels easily from science to folklore to literature, which, along with Angell's lively black-and-white illustrations, recommends this book highly. --Nancy Bent
Copyright © American Library Association. All rights reserved.
(5 stars) Monkeys With Wings, January 3, 2006
By R. Hardy "Rob Hardy" (Columbus, Mississippi USA)
"Gregarious, family grouped, long-lived, diurnal, vocally and visually astute, and reliant on memory and individual recognition." Yes, that might be a biological description of us humans, but it's a description from _In the Company of Crows and Ravens_ (Yale University Press) by John M. Marzluff and Tony Angell. We share those traits with the birds that are the subject of this fine book, mostly because we, like they, have big brains and use them. Dolphins and humans have bigger brain-to-body ratios, but the crow and raven ratio is something like that of most primates: "Mentally, crows and ravens are more like flying monkeys than they are like other birds." As a result, we have had a richer history of cooperating with these corvids (the family also includes rooks, jackdaws, and magpies) and competing against them. As a measure of our attention to these birds, for instance, this wide-ranging book cites their influence on our language; cats and dogs have more words, but no wild animal has more than crows and ravens. The examples include scarecrow, crow's feet, crowbar, and ravenous. We also crow about good news, but we also from time to time have to eat crow. We say "as the crow flies" when we want to indicate a linear distance between geographical points, but that's out of ignorance: crows take breaks and (as befits birds with brains) get distracted to check out other routes along the way. Crows and ravens have been our partners throughout history, and this broad and brightly-written book will increase anyone's appreciation for them and for the partnership.
Crows and ravens are scavengers on what humans throw out; so are pigeons and seagulls, for that matter, but those aren't as intelligent or observant as corvids. They could have managed in the wild without humans, but they have been able to thrive in our towns and cities. People who admire crows and ravens generally do so because they have a reputation for being clever, or even sagacious. There are many examples given here of intelligent behavior. Crows have a good communication system, and the authors encourage you to try playing mind games with them by broadcasting commercially-available recordings of crow calls. Crows who hear a distress call, for instance, do not immediately fly away from the call; instead, they fly to it to investigate what is going on, and perhaps learn about the danger. After that, they may stay away for weeks. As befits animals with intelligence, crows play; they may play catch with paper or sticks for no reason except that it seems to be an enjoyable way to spend time. They deliberately climb snowy hills to sled down again on their bellies, and they do this repeatedly. They do rolls, dives, and loops when flying. Crows even use us to do their bidding. In Sendai, northern Japan, carrion crows don't just use gravity to crack the walnuts of which they are fond. They have learned to fly down in front of cars waiting for a stoplight to change, place the nut in front of a wheel, and then fly away to await the result of the human-driven nutcracker. The crows are changing human behavior; drivers in the area intentionally drive over nuts in the road just to help the crows out.
This book makes clear the surprising case that crows have a culture, one that we modify a great deal, while they have made their own modifications on ours by behavior that gets them included in our stories and legends (and, of course, making nut-crackers of us). It invites readers to make their own observations and send them to the authors; corvids are so ubiquitous that almost anyone can take them up on the offer. Marzluff is a professor in wildlife science, and Angell is a freelance artist and writer whose handsome drawings make this a particularly good-looking volume. They even hint that interaction with us is making crows smarter: "We suggest they are becoming smarter because learning, memory, and cultural evolution are so strongly favored by an increasingly complex urban lifestyle." Take up this book and help keep up our side of the race.
And the last -- The Guide to Colorado Birds by Herbert Clarke (Author), Mary Taylor Gray (Photographer). The photography is kick-ass, as is the information given. Amazon.com sez:
(5 stars) Bird Guides, April 3, 2007
By Don Colberg "Bookguy" (Denver, CO USA)
We bought this title about a year ago and we use it regularly. The illustrations are excellent and the text is lucid and helpful. We have lots of bird guides, but this is the one we carry in our backpack while hiking.
From Publishers Weekly:
In this intriguing, beautifully illustrated volume, Canadian writer and birder Gibson (Five Legs) employs poems, folk tales, parables, legends, and extracts from the works of naturalists and others to explore humans' relationship with birds through the centuries. Some of the material--Peter Matthiessen's tribute to shorebirds, Edna St. Vincent Millay's poem about wild swans, Thomas Hardy's ode to a darkling thrush--reflect the joy many people feel on seeing or hearing a bird. But a number of the pieces, such as Robinson Jeffers's wrenching poem about a hurt hawk, Gabriel García Márquez's story involving sinister curlews and Kafka's threatening fantasy about a vulture, do not make the best bedtime reading. Numerous selections dwell on the human propensity for killing, exploitation and cruelty, as exemplified by a grisly passage describing the slaughter of a flock of terrified birds from Gibson's novel Perpetual Motion. As if to underscore his grim message, Gibson concludes his miscellany with a list of wildlife organizations to join if one is inclined to help avians in peril. The book contains more than 100 stunning full-color images of birds depicted in bestiaries, folk art, ancient sculpture and the works of artists such as Audubon, Lansdowne and Catesby.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist:
What is it about birds that calls to us? Why do humans engage themselves with birds? In an attempt to understand human response to birds, Gibson began to search for texts and illustrations to help explain this fascination. His book is not, as he states, about birds themselves, but rather about the varied relationships humans have established with them. In an eclectic collection of writings that ranges through hundreds of years and across continents, connected by his own essays, Gibson provided glimpses into the bond humans feel with birds. Authors ranging from Ovid to Saki, from Margaret Atwood to traditional tales of the Bahamas, and from David Quammen to Gabriel Garcia Marquez write of birds--as parables, as natural history, as allegory, and as mythic guides. This is a book to dip into during those spare minutes, and the reader will be well rewarded by these glimpses into avian-human relations. --Nancy Bent
Copyright © American Library Association. All rights reserved.
(5 stars) An artistic and literary tome on birds, January 14, 2006
By karl b. (Fraser Valley, BC, Canada)
This book is a sumptuous, lusciously illustrated homage to birds of all sorts.. common and exotic. It is printed on rich, delicately tintured stock, which frames the splendid artwork that accompanies each contribution. It is composed of poems, meditations, folklore, sagas, journal notes, involving birds, from people who've been inspired.. or irritated by them. The artwork includes famous Audubon watercolours, oils, aboriginal renditions in sculpture or stone paintings, statuary, mobiles and all sorts of depictions.
Gibson is a lifelong birdwatcher and collector of arcane literary and artistic tomes on birds. Birds have always been providential for man, omens of good or evil tidings. Creation stories are replete with birds, they are clarions of peace, of messianic proclamation or of disaster. They include the dove, clasping the olive branch to the raven, the trickster, the wolfbird, harbinger of bad times. They can be objects of veneration, of beauty, of song.. or they can be pest birds, that could ruin a crop, or spread disease in overcrowded cities.
Modern man's relationship with the bird has always been ambiguous. It is shot for sport, roasted for his plate, it is adopted as symbol for nations, it is a muse for writers and artists. They represent characteristics of fierceness, nobility, piety, beauty, purity.. or connivance with dark forces.
Gibson relates the story of the 19th Century Lutheran Pastor in Dresden who called for the extermination of the sparrow for its incessant chattering and scandalous acts of unchastity during service. Or of the adventurer, who having killed what was likely the last of the Dodos, lamented only that he had not saved the beak and skull for posterity. The book is chock full of the mundane, the profound and the mythical.
The book begins (almost) and ends with the birds of the Western Front. Whose singing always re-sounded on the destroyed landscapes of Flanders before and after the mechanistic slaughter of battles that engulfed mankind in the First World War. They gave a faint promise of grace to those in the trenches below. Bird lovers and those whose main preoccupation is the racket outside their window or the droppings in their public places will all find solace in this book.
Then, I finally broke down and picked up In the Company of Crows and Ravens by John M. Marzluff and Tony Angell. This looks wonderful. From Amazon.com editorial reviews:
From Publishers Weekly:
Historically feared, hunted and otherwise maligned, corvids (crows, ravens and the like) have finally found in the coauthors two champions of their cause. Professor Marzluff and artist and writer Angell, in their decades of observing crows and ravens (Angell's illustrations complement the text), have compiled an eye-popping catalogue of crow feats: Japanese carrion crows use moving cars as nutcrackers; Seattle crows, after being trapped by the authors, have learned to avoid them, even in the midst of thousands of UW-students; and, given the choice between french fries in a plain bag or a McDonald's bag, crows choose the branded bag every time. Marzluff and Angell entertain with these stories, but find less success with their arguments that no other animal has been as influential to human culture, and the two species have been for centuries involved in a "cultural coevolution." In essence, shifts in our culture cause crows to adapt, and in response, our culture responds, ad infinitum. They provide a litany of examples of crow influences on human culture (think Counting Crows, cave art and doctors dressed up as crows during the Black Death) and point to the similarities between human and crow cultures (particularly that of social learning) as evidence for the book's unofficial maxim: "to know the crow is to know ourselves." While the claims made here may over-reach, Marzluff and Angell passionately argue crows' importance, and along the way, provide ample evidence of corvid ingenuity.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist:
Crows are one of the few birds that everyone can recognize. As ubiquitous members of the worldwide corvid family (which also includes the ravens, jays, magpies, and their kin), the more than 40 distinct species of crows have formed both practical and mythic relationships with their human neighbors. In this delightful blend of science, art, and anthropology, biologist Marzluff and illustrator Angell, both fascinated by the corvids, demonstrate why the crows and ravens are worthy of study and respect. Crows and ravens are adaptable, intelligent, and able to learn, remember, and use insight to solve problems. They use unique methods to obtain food, such as pulling up the lines of ice fishermen and rolling walnuts under car wheels. Humans have long noted these large, black, brainy birds, and their images have entered human culture (we "eat crow," open things with a "crowbar") and human mythology (the Norse god Odin was guided by two ravens). The text travels easily from science to folklore to literature, which, along with Angell's lively black-and-white illustrations, recommends this book highly. --Nancy Bent
Copyright © American Library Association. All rights reserved.
(5 stars) Monkeys With Wings, January 3, 2006
By R. Hardy "Rob Hardy" (Columbus, Mississippi USA)
"Gregarious, family grouped, long-lived, diurnal, vocally and visually astute, and reliant on memory and individual recognition." Yes, that might be a biological description of us humans, but it's a description from _In the Company of Crows and Ravens_ (Yale University Press) by John M. Marzluff and Tony Angell. We share those traits with the birds that are the subject of this fine book, mostly because we, like they, have big brains and use them. Dolphins and humans have bigger brain-to-body ratios, but the crow and raven ratio is something like that of most primates: "Mentally, crows and ravens are more like flying monkeys than they are like other birds." As a result, we have had a richer history of cooperating with these corvids (the family also includes rooks, jackdaws, and magpies) and competing against them. As a measure of our attention to these birds, for instance, this wide-ranging book cites their influence on our language; cats and dogs have more words, but no wild animal has more than crows and ravens. The examples include scarecrow, crow's feet, crowbar, and ravenous. We also crow about good news, but we also from time to time have to eat crow. We say "as the crow flies" when we want to indicate a linear distance between geographical points, but that's out of ignorance: crows take breaks and (as befits birds with brains) get distracted to check out other routes along the way. Crows and ravens have been our partners throughout history, and this broad and brightly-written book will increase anyone's appreciation for them and for the partnership.
Crows and ravens are scavengers on what humans throw out; so are pigeons and seagulls, for that matter, but those aren't as intelligent or observant as corvids. They could have managed in the wild without humans, but they have been able to thrive in our towns and cities. People who admire crows and ravens generally do so because they have a reputation for being clever, or even sagacious. There are many examples given here of intelligent behavior. Crows have a good communication system, and the authors encourage you to try playing mind games with them by broadcasting commercially-available recordings of crow calls. Crows who hear a distress call, for instance, do not immediately fly away from the call; instead, they fly to it to investigate what is going on, and perhaps learn about the danger. After that, they may stay away for weeks. As befits animals with intelligence, crows play; they may play catch with paper or sticks for no reason except that it seems to be an enjoyable way to spend time. They deliberately climb snowy hills to sled down again on their bellies, and they do this repeatedly. They do rolls, dives, and loops when flying. Crows even use us to do their bidding. In Sendai, northern Japan, carrion crows don't just use gravity to crack the walnuts of which they are fond. They have learned to fly down in front of cars waiting for a stoplight to change, place the nut in front of a wheel, and then fly away to await the result of the human-driven nutcracker. The crows are changing human behavior; drivers in the area intentionally drive over nuts in the road just to help the crows out.
This book makes clear the surprising case that crows have a culture, one that we modify a great deal, while they have made their own modifications on ours by behavior that gets them included in our stories and legends (and, of course, making nut-crackers of us). It invites readers to make their own observations and send them to the authors; corvids are so ubiquitous that almost anyone can take them up on the offer. Marzluff is a professor in wildlife science, and Angell is a freelance artist and writer whose handsome drawings make this a particularly good-looking volume. They even hint that interaction with us is making crows smarter: "We suggest they are becoming smarter because learning, memory, and cultural evolution are so strongly favored by an increasingly complex urban lifestyle." Take up this book and help keep up our side of the race.
And the last -- The Guide to Colorado Birds by Herbert Clarke (Author), Mary Taylor Gray (Photographer). The photography is kick-ass, as is the information given. Amazon.com sez:
(5 stars) Bird Guides, April 3, 2007
By Don Colberg "Bookguy" (Denver, CO USA)
We bought this title about a year ago and we use it regularly. The illustrations are excellent and the text is lucid and helpful. We have lots of bird guides, but this is the one we carry in our backpack while hiking.
